Editorial

What started as a regional showcase for Danish design has since blossomed into an increasingly international affair. The key directions from this year’s event.

Starting as a joyful resistance to the staid colours of post-war Europe, Marimekko has continued to stay relevant by embracing both heritage and innovation.

Ideas around health, family, memory, the environment and physical making were all explored at this year’s New Designers.

Colour theory and perception are ubiquitous in art and design. Yet the way they are taught is far from standardised and scientists and specialists are increasingly questioning traditional theories.

Gucci’s determination to launch Rosso Ancora as a signature colour for the brand is an object lesson in the importance of making the perfect choice.

A motif as old as time, jewellers are once again turning to eyes for inspiration, playing on their associations with protection and wisdom.