Editorial

Continuing our series focusing on creatives with a special interest in colour, we speak to Ruben de la Rive Box and Golnar Roshan of Amsterdam- based design studio Rive Roshan about the importance of experimentation and imagination.

From failed chemistry experiment to the giddy heights of Victorian fashion, flirtations with royalty and camp, and now a role in colouring the Metaverse, mauve is a colour with a rich and often surprising history.

As the world moves on from the pandemic aesthetics and ventures out once more, Swedish designers are acutely aware of the importance of reinvention. Stockholm Design Week report.

Despite celebrating its 20th anniversary, 2022’s edition of London Design Festival was a somewhat subdued event, with the effects of the pandemic and current economic uncertainty continuing to be felt.

While the crowds were back to pre-pandemic numbers at this year’s contemporary art fair Frieze London, last year’s rejection of the brash and the shocking in favour of something gentler and more personal seems to have stuck. The dial remains firmly turned to commerciality, rather than shock and awe.

The latest edition of Dutch Design Week saw an abundance of introspective projects that express a complex and sometimes contradictory web of political, physical and spiritual viewpoints.

Over 600 companies from 26 countries came together to make the 39th edition of Cersaie, The International Exhibition of Ceramic Tile and Bathroom Furnishings, a statement on sustainability.

You’d think nobody would want to embrace a snake motif, what with the unavoidable association with original sin. But in spite, or maybe because of, their dark side, the allure of all things serpentine persists.

Playing a pivotal role in the development of future tech, minerals may replace oil as a resource. Reports on vulnerabilities in global supply chains already exacerbated by conflict and climate change, and the crucial role of the consumer in rejecting mineral mining exploitation.